As in the films of Orson Welles and those of neorealism or the French New Wave, adversity is so great that no hero can put the world back together again as Hamlet did, albeit at the cost of his own life. In contrast to the action films, where the hero always managed to restore the disrupted order, a type of cinematographic narrative emerged. In physics, the modern conception of time arose in the 17th century, but in philosophy it did not prevail until the following century, and the same revolution did not reach the cinema until the 20th century. The French philosopher Gilles Deleuze argued that modern times did not begin at the same time everywhere and in all domains.
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